🎨 Additionally, each synth is capable of generating polyrhythmic grooves, and the combination of two synths and four polyrhythmic sequencers can produce highly interesting patches where chords, synths, percussion, and modulations intersect in intricate patterns.

Such patches can serve as the foundation for a track or as a full‑fledged modular performance encompassing a wide spectrum of timbres.

🎛 The main idea behind the soundset is a high level of interconnection, rather than simply syncing the synths with independent timbres (individual patch collections for Subharmonicon and Labyrinth are also available on my website).

In this patchbook, the timbres of the synths are tightly intertwined and cannot exist separately:

✅ they modulate each other using oscillators and envelopes;

✅ a sequence from one synth may control parameters on the other;

✅ trigger interaction, clock and rhythm modulations, and different sequencer lengths break predictable patterns;

✅ audio signals from VCOs can be used as modulation sources to create harmonies, intervals, or wild experimental inharmonic tones;

🎼 Subharmonicon and Labyrinth each play distinct and clearly defined roles. The result is not a chaotic sound mess but a tightly integrated system where the synths work in close cooperation.

📒 The soundset is presented as a PDF patchbook with visual patch diagrams. Each page includes notes explaining how the patch works, which parameters are worth tweaking during playback, and how to evolve the timbre during performance.

By following these notes and experimenting with the settings, you can learn a lot about the instruments and explore their full potential.

⚙️ To recreate the patches, you will need up to 10 patch cables.

🎧 Audio examples of all patches are included in the soundset folder. Each patch is demonstrated in three versions: Subharmonicon only, Labyrinth only, and both synths together.

💾 Additionally, a separate folder contains WAV samples with the same timbres, including Scale and BPM information.

You can use them in a sampler or DAW if you want to achieve exactly the same sound as in the examples. Slice them into one-shots or loops — they provide excellent material for further editing and processing.

Moog Subharmonicon + Labyrinth - Polyrhythms (50 Combo Patches by Anton Anru)

More products