All Moog products:
Matriarch - Polychrome (50 Patches)
Matriarch - Round Robin (50 Patches)
Matriarch - Analog Classics (50 Patches)
Matriarch - BUNDLE: Polychrome, Round Robin, Analog Classics (150 Patches)
Grandmother - Analog Classics (50 Patches)
Grandmother - Explorer (50 Patches)
Grandmother - Evolution (20 Patches)
Grandmother - BUNDLE: Analog Classics, Explorer, Evolution (120 presets)
Sound Studio (DFAM+Mother-32) - DM Combo (50 Patches)
Sound Studio (DFAM+Subharmonicon) - DS Combo (50 Patches)
Sound Studio (DFAM+Mother-32+Subharmonicon) - DMS Combo (50 Patches)
Sound Studio - BUNDLE: 150 Combo Patches
Sound Studio (DFAM+Mother-32) - DM Generative (25 Patches)

Sound Studio (DFAM+Subharmonicon) - DS Generative (25 Patches)
Subharmonicon - Undertones (50 Patches)
DFAM - Techno Generator (50 Patches)

DFAM - Modular Grooves (50 Patches)
Mother-32 - Progressive (35 Patches)
Mother-32 - Probability (20 Patches)
Mother-32 - Expressive Bass (10 Patches)

Mother-32 - Techno Jam (64 Patterns)

Mother-32 - Melodic Patterns (64 Patterns)
Mavis - Modular Mood (50 Patches)
Subsequent 25/Sub Phatty - Bass Rig (64 Patches)
Subsequent 25/Sub Phatty - Leads & Plucks (64 Patches)
Subsequent 25/Sub Phatty - BUNDLE: Bass Rig + Leads & Plucks (128 Patches)
Subsequent 37/Sub 37 - Analog Groove (64 Patches)
Subsequent 37/Sub 37 - Bass Pack (64 Patches)
Subsequent 37/Sub 37 - Techno Patterns (64 Patches+Sequences)
Subsequent 37/Sub 37 - Leads Classics (64 Patches)

Subsequent 37/Sub 37 - Dark Duos (64 Patches)

Subsequent 37/Sub 37 - Dreamy Patterns (64 Patches+Sequences)
Subsequent 37/Sub 37 - RHYTHMIC BUNDLE: Analog Groove, Techno Patterns, Dreamy Patterns (192 Patches)
Subsequent 37/Sub 37 - MONO BUNDLE: Bass Pack + Leads Classics (128 Patches)
Subsequent 37/Sub 37 - COMPLETE BUNDLE: All 384 Patches
Minitaur/Sirin - Analog Tones (100 Presets)

Moog Spectravox - Modular Voices (50 Patches)

Modular Voices is a soundset for the semi-modular synth and analog processor Moog Spectravox. It is a collection of 50 presets: 24 Synths, 13 Plucks, 6 Percs, 7 Drones.

There is a wide range of timbres inside the pack: simple and complex, dark and bright, vintage and modern, noisy/distorted and soft, musical and experimental, harmonic and inharmonic. 

Some patches are in "synth mode" and can be played with a keyboard, while others are in "processing mode" — they process incoming audio and modulate it. Some patches combine the two modes: they process audio and can also be played with a keyboard.

Synths and plucks are excellent for use with arpeggiators or sequencers. Drones produce dark, distorted tones with heavy modulations, FM, noise, etc. They can be used as pads in genres like techno, industrial, or ambient to create a certain inharmonic atmosphere. Perc patches are perfect if you are looking for unusual and unique rhythmic additions to your performance or track.

Tones using external audio require playing a sample attached to the patch. You will find all samples with the patch name, as well as its role (PROGRAM or CARRIER), in the Audio Content folder. Load the samples into your workstation, set up Spectravox according to the image, and play the sample(s). Adjust the PROGRAM GAIN LEVEL yourself. It may not match the image if you have changed the sample's volume level. PROGRAM GAIN LEVEL can affect the tone, for example, causing distortion at high values, as well as the envelope of the entire patch if PROG TRIG - EG is used.

In most cases, I use synthesized chords for CARRIER and rhythmic sounds for PROGRAM. Be sure to try using your unique content. For CARRIER, you can create a sequence of chords or pads using a VST synthesizer. For PROGRAM, you can use vocal samples. There are many options.

For tones in the PLUCK and SYNTH categories, I usually use external arpeggiators or sequencers. This allows you to keep your hands free to work with the synthesizer parameters.

The patches are suitable for many genres: Techno, Ambient, House, Deep, Progressive, Trance, Minimal, IDM, Downtempo, Synthwave, Retrowave, Electronica, Dark/Noise, Industrial, Breakbeat, Drum and Bass, and others.

The soundset is presented in the form of PDF-Document. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its true depth.

Each patch has an audio example, it helps to understand how the timbre is supposed to sound.

To recreate these patches, you will need up to 8 patch cables. You will also need a stackable cable or a splitter/multiplier. The document includes detailed information about using an external keyboard with CV/Gate outputs.

Moog Spectravox is a versatile device that can be used in various ways:

- It can generate a complete signal without additional devices and audio input.

- It can produce musical tones that can be played from a keyboard or used with external sequencers and DAWs.

- It can process external audio signals, passing them through the Filter Bank and modulations.

- It can operate in Vocoder mode.

- It also supports combinations of these different scenarios. For example, using the Vocoder with an external audio signal, plus playing notes from a keyboard or sequencer.

All of this requires connecting various sources to Spectravox. In the PDF document, I will detail the routing scenarios I used. You can either fully replicate them or use them as a starting point for your own scenarios.